Generation
of music downloading
By Hannah Woolf, Managing Editor
Music is what feelings sound like.
Maybe the feelings are amplified when we don't have to pay for the
music. Over the past few years, obtaining free music has become increasingly
simple and overwhelmingly commonplace, thanks to the illicit beauty
of file- sharing programs (optimized by high-speed internet) and the
subsequent distribution of CD burners.
The current "in" program is KaZaA Media Desktop. According
to The Augusta Chronicle online, "At a typical moment, about
4 million KaZaA users are sharing some 800 million files--movies,
pictures, songs, and more. Most are unauthorized."
While people all over the world are merrily mixing their own CDs,
a mass of turmoil has passed by the file sharing world, a world we
take for granted. At the moment, what many students don't know--or
what they choose to ignore--is that KaZaA is involved in a legal battle
with the entertainment industry.
Sharman Networks, the Australian company that owns KaZaA, filed a
countersuit against the movie and recording industries in late January,
responding to a lawsuit made against Sharman involving charges of
copyright infringement. Sharman's counterclaims include copyright
misuse, monopolization, and deceptive acts and practices.
It is not just that high schoolers are oblivious to the legal battles
behind their favorite programs; many are simply not concerned. Freshman
Priti Patel is one of those students. She's confident that "they
can't track down millions of people." But this is a perfect example
of the typical student's naïveté.
In May 2000, when Metallica was in the midst of suing then-popular
Napster, the band produced a list of 335,000 Napster users who were
allegedly trading illegal copies of Metallica's music.
Freshman Candy Amato says, "If it's illegal, why don't they enforce
it?" "They" certainly have tried to. Going back in
time, the freshmen of 1999 did not use KaZaA--the program was not
yet born. At that time, the hot new program was the ill-fated Napster,
created by Northeastern University students Shawn Fanning and Sean
Parker. This program was actually responsible for the music distribution
revolution.
On May 5, 2000, Federal District Court Judge Marilyn Hall Patel--pressured
by media and entertainment companies--ruled that Napster was violating
the Digital Millennium Copyright Act of 1998. That July, the same
court ordered Napster to shut down. Almost two years of legal strife
followed that act, but in the end Napster was forced to file for bankruptcy
before it could take full advantage of anti-trust issues, and the
superpower fell.
Yet Napster's legacy remains. An afternapster.com is devoted to the
gone-but-trying-not-be-forgotten king of music.
Unfortunately, what many students do not realize, especially those
who only know the current generation of programs, is that KaZaA is
following in the footsteps of its doomed predecessor. It is almost
déjà vu, with KaZaA making similar claims of "collusion
and abuse of copyright" that Napster made to defend itself against
record labels and movie studios.
When the current seniors were freshmen, MP3 file sharing enjoyed a
growth spurt. Beginning in May of 1999, the program Napster began
to gain popularity. This year's freshmen, however, are even more well-versed
in the art of file sharing. "It's a great thing," Freshman
Alex Biglow says. "It saves me a lot of money to use KaZaA."
And there's another thing that makes file sharing programs so attractive
to high schoolers: students can create their own CDs. Hundreds of
times more high-tech and high-quality than the off-the-radio mixed
tapes of the last generation, home-made CDs offer students myriad
advantages. Freshman Scott Dubin explains, "Instead of buying
a whole CD, I can download specific songs."
Now that CD burners have essentially become a staple in every household,
not only downloading music, but "producing" one's own CDs,
is a typical high schooler's activity. "Free songs equals free
CDs," freshman Corey Hassett says.
Of course, not everyone uses KaZaA. Senior Daniel Doggett says, "The
program that I use for downloading MP3's is called Morpheus. It is
a similar program to KaZaA. These programs help me discover new artists
and give me a sample of albums that I may decide to buy."
And not everyone does it, period. Particularly those who do not have
access to high speed internet may view downloading music as a waste
of time. Freshman Alexis Bergen says, "it's so slow...it takes
too long."
But file sharing, despite entertainment industry's efforts to portray
it as a bastardization of music, is far from being some underground
cult. I ask senior Sandra Meselebe, "what's the program everybody
uses to download music?" "KaZaA," she spits back, no
hesitation. "Even though I don't download a lot of music, I still
hear about which programs people use," she explains.
There have been dozens of other programs along the way, such as Spinfrenzy
and Audiogalaxy and IMesh. But their plight, or lack thereof, has
been inconsequential. Napster, the original revolutionary, and KaZaA,the
new superpower, have stood out as representatives of the much attacked
file sharing world. And yet most students simply ride whatever wave
is most popular--now KaZaA. Perhaps this time, the underdog will prevail. |
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